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    <loc>https://www.joseffharrissound.com/selected-credits</loc>
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    <lastmod>2025-12-12</lastmod>
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      <image:title>selected credits</image:title>
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    <loc>https://www.joseffharrissound.com/contact</loc>
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    <lastmod>2024-10-03</lastmod>
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    <loc>https://www.joseffharrissound.com/a-giant-sequoia-in-bath</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/66124d6a-d905-402c-ba4b-bf9169e854fb/sequoia_orig.jpeg</image:loc>
      <image:title>a giant sequoia in bath - A Giant Sequoia in Bath Written by Richard White Writer &amp; Performer Richard White Composer &amp; Sound Designer Joseff Harris</image:title>
      <image:caption>An invitation to be with a huge tree growing alone beside the railway line in Bath's Sydney Gardens. A meditation, some history and a gentle provocation on empire and climate change. Part of a cycle of work on botany, empire and deep time.</image:caption>
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      <image:title>a giant sequoia in bath</image:title>
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      <image:title>a giant sequoia in bath</image:title>
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      <image:title>a giant sequoia in bath</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/sendnudes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-08</lastmod>
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      <image:title>sendnudes - sendnudes Written by Katie Burnett Director Joshua Roche Writer &amp; Performer Katie Burnett Composer &amp; Sound Designer Joseff Harris Producer Bitter Pill Theatre</image:title>
      <image:caption>It can be easy and simple, it can be fun and sexy, but sometimes it can be more. A nude image is not just a photo – but also a reflection of our hopes and dreams. This production was written for The Painkiller Podcast and commissioned by Bitter Pill Theatre. It is supported using public funding by the National Lottery through Arts Council England.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/rabbit-holes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:title>rabbit holes - Rabbit Holes A collaboration with BBC R+D</image:title>
      <image:caption>“Rabbit Holes Collective involves a group of artists and creative professionals exploring adaptive podcasting to create unique content and invite (especially young) people to metaphorically ‘fall down a rabbit hole’ to connect more deeply with nature. Individuals discover how they can use adaptive technologies to create podcasts unique to the listener and their context.” - Dr Penny Hay, BBC Research &amp; Development is supporting the Collective in new ways of sharing ideas via digital and emerging technologies, creating peer-to-peer connections and networks of learning and support. Working alongside artists and technologists, the Collective aims to constructively disrupt and reimagine possibilities for digital collaboration by developing ideas in different immersive and sensorial technology. We expect podcasts to be released in the year 2022. More to follow…</image:caption>
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      <image:title>rabbit holes</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/destiny</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/9da05a06-9898-4c6a-b7d8-1158143f7276/image-asset.jpeg</image:loc>
      <image:title>destiny - D.E.S.T.I.N.Y Written by Florence Espeut-Nickless Director &amp; Dramaturg Jesse Jones  Writer &amp; Performer Florence Espeut-Nickless Composer &amp; Sound Designer Joseff Harris Producer Tom Bevan Lighting Designer &amp; Technician Jen Roxburgh</image:title>
      <image:caption>★★★★ - Guardian “They’re sayin I brought it on myself. Oh yeah, they’ve heard about me. Basically it must’ve been my fault cause I’m me, Destiny” Destiny dreams big. She’s gonna be an MTV Base backing dancer, you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the Hill Rise estate in Chippenham. She’s fearless, ferocious and up for the fight (she’s had to be). Born below the breadline, she’s desperate to see beyond the neighbourhood and find hope in hopelessness. This semi-autobiographical monologue follows the story of a teenage girl growing up on a rural Wiltshire council estate. After a big night out takes a turn for the worse, Destiny’s life spirals out of control as she desperately tries to learn how to love and be loved. DESTINY was shortlisted for Theatre West’s ‘Write On Women’ Award and The Pleasance’s ‘Edinburgh National Partnerships’ Award (in partnership with Bristol Old Vic Ferment). It has been developed with support from Tobacco Factory Theatres, Bristol Old Vic Ferment, Pound Arts, Strike a Light, Wiltshire Creative, Natural Theatre, Paper Arts, Theatre Bristol, Hawkwood College, Arts Council England and Gane Trust. Production images by Chelsey Cliff ©</image:caption>
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      <image:title>destiny</image:title>
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      <image:title>destiny</image:title>
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      <image:title>destiny</image:title>
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      <image:title>destiny</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/wild-swimming</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/490394b7-6bf7-4bf3-b2f9-b0a0e6d6c81c/IMG_5379-ChelseyCliff.jpg</image:loc>
      <image:title>wild swimming - Wild Swimming by FullRogue Nell Alice Lamb Oscar Annabel Baldwin Direction Julia Head  Text Marek Horn Sound Joseff Harris Producers Ruby Gilmour &amp; Joseff Harris Design Zoë Brennan</image:title>
      <image:caption>“Whoever master form masters time.” Glyn Maxwell ”We are only just starting to be able to make eye contact with the male gaze, and not just call it reality.” Lucy Prebble, Twitter, 17.11.17 Nell and Oscar meet on Studland beach in Dorset. Its 1595... or maybe it’s 1610. Oscar has returned from his first term at university and Nell is doing fuck all, (anything more than that would endanger her fertility… probably). They will meet here, again and again, on this beach... for the next 400 years. Stuff will change. As it does with time. They will try to keep up. Production images by Chelsey Cliff © &amp; The Other Richard ©</image:caption>
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      <image:title>wild swimming</image:title>
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      <image:title>wild swimming</image:title>
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      <image:title>wild swimming</image:title>
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      <image:title>wild swimming</image:title>
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      <image:title>wild swimming</image:title>
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      <image:title>wild swimming</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/atlantis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/ccea9243-5a43-4f81-942e-db1072248b5d/918A5813.jpg</image:loc>
      <image:title>atlantis - Atlantis by Arts at the Old Fire Station &amp; Crisis Director Lizzy McBain Written By Rowan Padmore Composer &amp; Musical Director Guy Hughes Sound Designer Joseff Harris Lighting Designer Rachel Luff Movement Director Emma Webb Costume Desiger Ann Tutt Producer Becs Morris Design Carlotta Jacoby Stage Manager Tessa Gaukroger Technical Manager &amp; Operator Danny Owen</image:title>
      <image:caption>“May your day be dry, and your home be high.”  A wall of water crashed over the city, so powerful nothing could stop it. House Of Noah Tours invites you to meet the people who live in its wake.  This is a tour of Oxford – but not the one you see in postcards. Eco-warriors fight for the future, and the all-powerful House of Noah watches over a waterlogged world. But what’s really going on, behind the scenes? Are your guides showing you the full story? And how can we find hope again?  Join us to take back the city.  Atlantis is a brand new play, created in collaboration between professional artists and members of the community as part of Hidden Spire. It has brought people together over the last tumultuous year, and the result promises to be an extraordinary moment of live theatre. Production images by Simon Vail</image:caption>
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      <image:title>atlantis</image:title>
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      <image:title>atlantis</image:title>
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      <image:title>atlantis</image:title>
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      <image:title>atlantis</image:title>
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      <image:title>atlantis</image:title>
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      <image:title>atlantis</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/miracle-on-34-seymour-street</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/1641825129524-4TV91I3VKKPSWEA7DX93/miracle.jpg</image:loc>
      <image:title>miracle on 34 seymour street - Miracle on 34 Seymour Street by Trowbridge Town Hall Director Jenny Davies Writer Florences Espeut-Nickless &amp; Gavin Osborn Musical Director Gavin Osborn Composer &amp; Sound Designer Joseff Harris Lighting Designer Rachel Duthie Designer Natalie Remington Producer David Lockwood Technical Manager &amp; Operator Kieran Moore</image:title>
      <image:caption>It’s 1994. Christmas Lights switch on. On 34 Seymour Street in Trowbridge, Angel and Noel are gearing up for their best Christmas yet. Angel wants an Action Man Mission Extreme and a t-shirt with Brian Harvey’s face. Noel wants a new Tamagotchi (he forgot to feed his last one) and a Trowbridge Town FC Subbuteo set. Dad just wants to play crazy golf indoors, same as every year. Mum wants to go somewhere, on a train, anywhere really, except here. But first they have to see Marti Pellow turn the lights on. Miracle on 34 Seymour Street follows Angel and Noel as they journey through the decades, from 1994 to today. From childhood to adulthood. From East 17 to Rage Against The Machine, Home Alone to Love Actually. A heartwarming story of a family trying to recapture the memory of an idealised Christmas, and of everyday miracles. Taking inspiration from stories shared by Trowbridge residents (and a few festive films), Miracle on 34 Seymour Street is a funny original play with songs that will leave you yearning for Christmases past that may never have existed.</image:caption>
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      <image:title>miracle on 34 seymour street</image:title>
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      <image:title>miracle on 34 seymour street</image:title>
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      <image:title>miracle on 34 seymour street</image:title>
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      <image:title>miracle on 34 seymour street</image:title>
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      <image:title>miracle on 34 seymour street</image:title>
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  <url>
    <loc>https://www.joseffharrissound.com/undergrowth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:title>undergrowth - underGrowth A collaboration with Dr Tommaso Jucker &amp; Dr Tom Mitchel</image:title>
      <image:caption>Unearthing the intelligence of forest communication networks in a collaboration between sound &amp; science. underGrowth is a project dedicated to providing new pathways into listening to our natural world; namely forests. Utilising bespoke technology, oak tree seedlings will have their scientific data translated into sound whilst they are experiencing drought. The goal of the project is not only to give us insight into how forests feel and adapt, but to quantify how much carbon forests are capturing from the atmosphere and how this is affected by extreme climate events. A combination of precise on-ground measurements of seasonal tree growth with local climate data and remote sensing imagery will be collected from both drones and satellites.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/assembling</loc>
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    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:title>assembling - Assembling a film my Tim Lytc &amp; Knowle West Media Centre Director Helena Middleton Choreographer &amp; Performer Tim Lytc Composer Joseff Harris Director of Photography &amp; Editor Jack Offord Producer Knowle West Media Centre Movement Contributions From John Bennett, Toni Gray &amp; Hannah Latham Interview Recorded by Hatty Bell Feating the Voices of Megan Clark-Bagnall, John Bennett &amp; Don Jones</image:title>
      <image:caption>In Spring 2020 a group of local Knowle West residents came together to explore the future of housing using digital design and fabrication technologies developed by Automated Architecture (AUAR) Labs. Block West, outside Knowle West Media Centre, is the result of this exploration. In collaboration with the community members who built Block West, artist and dancer Tim Lytc created this movement piece in response to the structure and its construction.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/the-little-things</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-10</lastmod>
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      <image:title>the little things - The Little Things a film by Tobacco Factory Theatres Director Jay Zorenti-Zahkid Movement Director Maisie Newman Composer &amp; Sound Designer Joseff Harris Director of Photography &amp; Editor Mikael Techane Producer Ailie Debonaire Cast &amp; Creators Aisling Foley-Mitchell, Alke Schwarz, Amy Howe, Annie Hyde, Eugene Furniss, Lucy Baker</image:title>
      <image:caption>In 2019 Tobacco Factory Theatres 'Young Theatre Makers Perform' Company started working creatively on what it meant to challenge the status quo.  What it meant to be kind and what it meant to be an ensemble. Over the following months they explored Joe White's play 'Navajos'. Their production was cut short by the global pandemic so they decided to make an honest film as a response. The Little Things is an honest exploration of friendship, youthful energy and asks questions about the role of young people in our current political climate.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/formsofintelligence</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-03</lastmod>
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      <image:title>forms of intelligence - Forms of Intelligence a film by Knowle West Media Centre Director &amp; Producer Martha King Composer &amp; Sound Designer Joseff Harris Director of Photography &amp; Editor Alistair Campbell Associate Filmmaker Dee Hassan Card Designer Kaajal Modi Podcast Creators Tatiana Powell &amp; Lewis Campbell What can we learn from animal &amp; plant intelligence? Through 2020 community activists, artists, and researchers, with specialisms in: spiders, trees, funghi, butterflies, soil, bees, dogs, birds, robotics and visual arts, were invited to participate in on and offline co-creation activities facilitated by Martha King (Arts Programme Manager at KWMC) and Nicole Foster (researcher at DCRC). Participants received physical packages in the post, including magnifying glasses &amp; binoculars. After meeting online they paired up and set each other creative challenges to help them explore ‘intelligence’ from a perspective they weren’t familiar with: for example, birdwatchers learned about insect intelligence and tree champions about butterflies! Raising thought-provoking questions such as what is ‘success’ for a bird? The whole group took part in online co-creation sessions attempting to think through the perspective of other species and imagine new systems designed to benefit all living things. The insights from the co-creation activities were transformed into a beautifully illustrated set of inspiration cards for co-species care, by artist Kaajal Modi. Designed to help us think differently, see from different perspectives, and deeply consider who or what is being impacted by our decisions. As part of the project, we also created a series of podcast interviews with people from Knowle West, Bristol, Berlin, Kent, and Colombia. Knowle West resident and digital intern Tatiana Powell made the podcasts, having to record them remotely through lockdown, supported by KWMC producer Lewis Campbell. You can download the cards and accompanying booklet HERE You can listen to all the podcasts HERE</image:title>
      <image:caption>Commissioned by Knowle West Media Centre &amp; Digital Cultures Research Centre Film produced by: Eight Thank you to  Ben Barker, Joanna Bryson, Charli Clark, Mya Rose Craig, Nicole Foster, Edmund Hunt, Richard Layzell, Kasia Molga, Sylvia Rimat, Luisa Ruge &amp; Jim Smith.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/ifdestroyedstilltrue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/ea2b5030-e724-4261-8f97-f5cf227b4290/Jawbones+2.jpeg</image:loc>
      <image:title>if.destroyed.still.true - If.Destroyed.Still.True Written by Jack Condon Director Sarah Stacey Lighting Designer Gabriel Finn  Stage Manager Amy Hales Composer &amp; Sound Designer Joseff Harris Assistant Director Korren Howell Set &amp; Costume Designer Anna Kelsey Producer Rebecca Lyle Dramaturg Nkechinyere Nwobani-Akanwo Fight Director Bret Yount Cast Theo Ancient, Jack Condon &amp; Whitney Kehinde</image:title>
      <image:caption>★★★★★ “Stunning and deeply moving” - Broadway Baby ★★★★ “Snappy, hard-hitting &amp; thoughtful” - The Reviews Hub ★★★★ “Impressive” - ReviewsGate ★★★★½ “The sound mix is impressive” - London Pub Theatres “But where the fuck have you actually been though? What have you really done? It’s been… I hardly recognise you mate.” A cliffside hangout. A friendship. A forgotten town. Summer 2013, a warm evening by the sea. James is home from University with his new girlfriend Charlotte. John, James’ best friend, can’t wait to reunite. Until they do. Something is changing, something seismic. And none of them knows how significant this day will be for the rest of their lives… A story spanning eight years, If. Destroyed. Still. True. shines a stark light on life between the cracks, and asks what happens when the place you were born can no longer be called home. Identity, class and cultures clash as life pulls childhood best mates apart. We bear witness to what we stand to lose when we cannot truly communicate, and the lengths to which we must go to find peace… If. Destroyed. Still. True. is the debut production from JAWBONES Theatre, telling the epic stories in everyday lives. Production images by Alex Brenner ©</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/listen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-28</lastmod>
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  <url>
    <loc>https://www.joseffharrissound.com/the-clothes-they-stood-up-in</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/19b72993-72b1-454f-91e4-d1cf5beff67a/Adrian-Scarborough-Sophie-Thompson-in-The-Clothes-They-Stood-Up-In-Nottingham-Playhouse-0021-1876x1251.jpeg</image:loc>
      <image:title>the clothes they stood up in - The Clothes They Stood Up In Written by Alan Bennett, Adapted by Adrian Scarborough Cast Adrian Scarborough, Sophie Thompson, Ned Costello, Charlie de Melo &amp; Natasha Magigi Director Adam Penford Designer Robert Jones Lighting Designer Aideen Malone Composer &amp; Sound Designer Jon Nicholls Associate Sound Designer Joseff Harris Hair, Wigs &amp; Makeup Campbell Young Associates Hair, Wigs &amp; Makeup Associate Helen Keane Props Supervisor Ryan O’Connor Casting Director Jane Anderson CDG Voice &amp; Dialect Coach Marianne Samuels</image:title>
      <image:caption>★★★★ - The Times ★★★★ - Whats on Stage ★★★★ - Reviews Hub ★★★★ - The Stage A night at the opera ends with a shock for mild-mannered couple Maurice and Rosemary Ransome when they open their front door to discover their flat completely empty. From light bulbs to carpets to toilet paper, even their chicken casserole has been stolen. The Ransomes turn detective to try and work out who is behind this outrageous act, and why and how they did it. Along the way, they are forced to examine their lives when stripped bare of the worldly possessions that define us all. Should they rebuild their old life, or begin afresh? A bittersweet exploration of marriage, dreams and lives unlived, Adrian Scarborough’s adaptation brings Bennett’s hilarious story to the stage for the first time, capturing his trademark observational wit in this gentle and darkly surprising tale. Production images by The Other Richard</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/dejavu</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-07</lastmod>
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      <image:title>deja vu - Deja Vu Written by Sarah Bayliss Director Nicky Allpress Performer Amy Loughton Composer &amp; Sound Designer Joseff Harris Producer Bitter Pill Theatre</image:title>
      <image:caption>Passing a restaurant window, a woman feels a powerful sense of connection to a man sitting inside, and is compelled to enter... This production was written for The Painkiller Podcast and commissioned by Bitter Pill Theatre. It is supported using public funding by the National Lottery through Arts Council England.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/seemonster</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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      <image:title>see monster - SEE MONSTER</image:title>
      <image:caption>SEE MONSTER is a retired rig from the North Sea, transformed into one of the UK’s largest public art installations to inspire global conversations about reuse, renewables and the great British weather. As part of the installation, Weathering Together was created. It is an immersive audio experience by artist Joseff Harris, which is created from the eclectic voices of Weston-super-Mare. It is centered around home, how our environment forms our identity and how human impact on the natural world is dramatically changing the landscapes we know and love. With original composition and sound design, the piece will transport you through vivid memories and nostalgia, but it will also look towards the voices of the future. Joseff Harris is a South-West based composer, sound artist and audio producer working across theatre, film and audio. His work is driven by how sound can tap into our subconscious and carry us to vivid worlds, both real and abstract. The natural world plays an integral role in his work, embracing both its calm and chaos, resulting in compelling and moving scores. The immersive audio piece is recommended to be listened to through headphones. Created in partnership with Culture Weston.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/end-of-the-cornfield</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-11</lastmod>
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      <image:title>end of the cornfield - End of the Cornfield Written by Abbey Monnin &amp; Spencer Channell By Blue Tuesday Productions Director Trevor Algatt Executive Producer Abbey Monnin Composer &amp; Sound Designer Joseff Harris Title Theme Music Andrew Scott Bell Audio Engineer Gerrado Serrano Co-Casting Director Abbey Monnin &amp; Zelda Kimble Diversity Consultant Issac Gomez Cover Art Designer Amelia Wiygul Foley Artists &amp; Location Recordists Chance Mcduffie, Logan Solana &amp; Spencer Channell</image:title>
      <image:caption>End of the Cornfield is a 9-episode murder mystery series centered on six former high school classmates who reunite for a hometown softball alumni tournament. When the six head to the cornfield on Miller Road — their favorite high school spot for a night of drinking and catching up — it doesn’t take long before someone winds up…dead. With no clear motive and no one stepping forward, the five remaining classmates are thrown into a clusterfuck investigation among themselves.</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/the-coven</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-17</lastmod>
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      <image:title>the coven - The Coven a film my Gemma Aked-Priestley Writer &amp; Director Gemma Aked-Priestley Producer Lara Al Jamal Art Director Natalie Johnson Editor Tera Dadayan Director of Photography Kiran B M First Assistant Director Julien Mouquet Music Noor Harajli Sound Designer Joseff Harris Cast Helen Monks, Katie Elin-Salt, Alanna Flynn, Indigio Griffiths, Grainne Dromgoole</image:title>
      <image:caption>Starring Helen Monks (Raised by Wolves, Channel 4; Upstart Crow, BBC) The Coven is a laugh out loud mockumentary following Blaze, a failing-at-life receptionist, as she spearheads a coven of outcast, millennial witches muddling from one disaster to the next.</image:caption>
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      <image:title>the coven</image:title>
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      <image:title>the coven</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joseffharrissound.com/thewalworthfarce</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/2a4cc7a1-b110-4394-8e6d-b84340643131/wf2.jpeg</image:loc>
      <image:title>the walworth farce - The Walworth Farce Written by Enda Walsh Director Nicky Allpress  Writer Enda Walsh Composer &amp; Sound Designer Joseff Harris Lighting Designer Lucia Sánchez-Roldán Designer Anisha Fields Fight Director Claire Llewellyn of RC Annie Ltd Casting Director Marc Frankum Producer Emma Bentley Cast Dan Skinner, Emmet Byrne, Killian Coyle &amp; Rachelle Diedericks</image:title>
      <image:caption>“And what news of London Town, Paddy? This Walworth Road off the Elephant and Castle paint me a picture of this boulevard and its surrounding environs.” Holed up in a flat on the Walworth Road, Sean and Blake diligently recite their father Dinny’s lines as they daily re-enact the moment they fled their home in Ireland.  But today’s performance is going to be different: Dinny’s got a rage on because there’s a sausage and Ryvita in place of the chicken dinner, Sean’s head’s not been in it since he came back from Tescos, and the three men are about to receive an unexpected visitor… This new revival of Enda Walsh’s hilarious and shocking farce is the first major production to take place at Southwark Playhouse’s brand-new venue at Elephant and Castle, sited, aptly, at the foot of the Walworth Road. Production images by David Jensen ©</image:caption>
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      <image:title>the walworth farce</image:title>
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      <image:title>the walworth farce</image:title>
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      <image:title>the walworth farce</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/malkin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/4f7793c0-c6bf-4fa6-b78f-50dcb2ad0c26/Still4.jpg</image:loc>
      <image:title>malkin - Malkin a film by Gemma Aked-Priestley Writer I Director I Producer Gemma Aked-Priestley Producer Masha Egieva Director of Photography Kiran B M Editor Rachel Franks Art Director Natalie Johnson Composer Joseff Harris Cast Rachel Harper</image:title>
      <image:caption>“Fuck me. I’m getting married. The same dick until I die” Slumped on a curb on her hen night, Malkin asks herself the age-old question: to marry or not to marry? Desperate, drunk, and grappling with chronic loneliness, Malkin unexpectedly befriends a man. That man is an inflatable sex doll. Created by Gemma Aked-Priestley, Malkin playfully and provocatively explores sexual objectification and toxic aspiration from the perspective of a working-class woman. With lashings of existentialism and surrealism, Malkin is a genre-twisting beast unafraid to dance to the beat of its own drum. With Tik-Tok and The Ellen Show sensation Actor-Comedian Rachel Harper in the titular role, Malkin is a hilarious and heart-breaking love letter to millennial women. Malkin is currently undergoing Post Production. *Malkin: (now archaic, regional) A stereotypical name for a lower-class or uncultured woman; a kitchenmaid; a slattern, wench, drab, slut.</image:caption>
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      <image:title>malkin</image:title>
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      <image:title>malkin</image:title>
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      <image:title>malkin</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/theodyssey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/d80741f5-8f9f-4598-8e9c-8ea321602e3c/Odyssey+9.png</image:loc>
      <image:title>the odyssey - The Odyssey Episode 3: The Four Winds Written by Florence Espeut-Nickless Director Jesse Jones  Writer Florence Espeut-Nickless Composer &amp; Sound Designer Joseff Harris Lighting Designer Jen Roxburgh Designer Ruby Pugh Assistant Director Jenny Davies Stage Manager Emily Walpole Deputy Stage Manager Eve Richardson Producer Tessa Slack</image:title>
      <image:caption>After escaping the lair of the Cyclops, Odysseus arrives upon the floating island of Aeolia, home to Aeolus, the keeper of the four winds. Keen to help her on her journey home, Aeolus gives Odysseus a bag containing all winds but the west. With Ithaca in sight, Odysseus falls asleep only to wake up not quite where she imagined. To mark the fifth anniversary of Public Acts, The Odyssey is reimagined for today in this epic retelling with hundreds of community members across the country. Production images by Brinkhoff/Mögenburg ©</image:caption>
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      <image:title>the odyssey</image:title>
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      <image:title>the odyssey</image:title>
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      <image:title>the odyssey</image:title>
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      <image:title>the odyssey</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/theressomethingineedtotellyou</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/b4e90b91-dade-407c-9832-a12c72be93e8/1.jpeg</image:loc>
      <image:title>there's something i need to tell you - There’s Something I Need To Tell You Written by John Scott Dryden &amp; Misha Kawnel Cast Chris Lew Kum Hoi, Sophia Del Pizzo, Akie Kotabe, Nick Nevern, Jennifer Armour &amp; Walles Hamonde Director John Scott Dryden Producer Emma Hearn Sound Design Joseff Harris &amp; John Scott Dryden Production Assistant Joe Troy Sound Engineer Paul Clark Composer Sacha Puttnam</image:title>
      <image:caption>After agreeing to help a mysterious stranger, young couple Jake and Kayla are implicated in an assassination at their hotel. They find themselves plunged into a deadly game of political score-settling that spans the world and from which they must run to survive. A global thriller of espionage, money and murder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joseffharrissound.com/olive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/0e3b4ab7-c8b8-490a-93b9-b38f23ea983f/olive+2.jpeg</image:loc>
      <image:title>olive - Olive a film by Rosie Skan Writer I Director I Exec Producer Rosie Skan Producer Masha Egieva Composer Joseff Harris Sound Design Benet Serra Director of Photography Arushi Chugh Editor Ian Robertson Art Director Xenia Flint-Simpson Intimacy Coordinator Joana Nastari Assistant Production Designer Nina Sielski</image:title>
      <image:caption>Olive is a short film exploring elderly female desire and sexuality. 80-year-old Olive finds her solitary lifestyle interrupted when Jo, who’s in his 30s, rents the cottage next door for the summer to escape his London life. As the heat intensifies, a surprising intimacy starts to develop between them - until a sudden accident leaves Olive depressed and wanting to shut out the summer and Jo. But Jo has other ideas making us wonder – will Olive miss her last chance after all? Olive is currently undergoing Post Production. WATCH THE TRAILER HERE</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/rightofway</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/b5402f7e-c96d-4726-a697-e9396f9e07fc/Right+of+way.jpeg</image:loc>
      <image:title>right of way - Right of Way Written by Beth Bowden Director and Performer Beth Bowden Creative Producer Susannah Bramwell Production Designer Layla Bradbeer Associate Artist &amp; Access Support Coordinator Nina Fidderman Movement Consultant Jennifer Fletcher  Technical Stage Manager Erin Green Composer &amp; Sound Designer Joseff Harris Video Design Beth Bowden</image:title>
      <image:caption>★★★★★ Broadway World “It straddles the line between poetry and theatre in an exquisite exploration of the landscape of grief.” ★★★★★ Everything Theatre “Raw, heartbreaking, and altogether beautiful, Beth Bowden’s semi-autobiographical Right of Way is a poetic jewel waiting to be uncovered.” ‘I take a body – this body, this breath, this space – and locate myself as a dot in the landscape, to say I AM HERE / WE WERE HERE because We and She are the local landscape. We and She is the local landscape’ Half submerged in a cramped bathtub and flooded by her grief, Beth decides to walk the South West Coast Path – in choosing to walk, grow, and to reclaim space, she finds radical joy. Using lyrical movement and projections of the Coast Path, Right Of Way explores our intimate connection with the coastline, bodies of water and our heritage. Written whilst walking the South West Coast Path, it is an autobiographical and embodied reflection on disability, chronic illness and being a Young Carer. Right Of Way features integrated creative captioning as part of the video design. Production images by Lidia Crisafulli</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/frankbascombe</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-08</lastmod>
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      <image:title>frank bascombe: an american life - Frank Bascombe: An American Life Written by Richard Ford Adapted by Robin Brooks Staring Kyle Soller Director &amp; Producer Fiona McAlpine Sound Design Joseff Harris &amp; Alisdair McGregor Broadcast Assistant Hermione Sylvester</image:title>
      <image:caption>A four-part series for BBC Radio 4. Frank Bascombe, in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed—by the loss of a marriage, a career, a child. We then follow Frank, ever laconic and observant, through Independence Day and The Lay of the Land, witnessing his fortune’s rise and his family’s fragmentation. With finely honed prose and an eye that captures the most subtle nuances of the human condition—all its pathos and beauty and strangeness—Ford transforms this ordinary man’s life into a riveting, moving parable of life in America today. Now, in Let Me Be Frank with You, Frank sits in the aftermath of Hurricane Sandy. In four richly luminous narratives, Frank attempts to reconcile, interpret and console a world undone by calamity.</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/thelittleprince</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/ed204e16-498c-4a51-a375-24187a44d728/lp+1.jpeg</image:loc>
      <image:title>the little prince - The Little Prince Adapted by Toby Thompson Director Nik Partridge  Writer Toby Thompson Composers &amp; Sound Designers Joseff Harris, Alex Heane &amp; Bethany Stenning Lighting Designer George Seal Designer &amp; Co-Illustrator Anisha Fields Costume Supervisor Lydia Higginson Video Designer, Engineer &amp; Co-Illustrator Nick Laws Engineer James Lisk Production Manager Rachael Duthie Stage Manager Chaz Webb Prop Maker &amp; ASM Katie Jones Cast Toby Thompson</image:title>
      <image:caption>Embark on a whimsical journey with the Little Prince as he wanders the universe in search of the true meaning of friendship. Enter a world of endless sunsets, where people are like flowers, and grown-ups are, well, pretty peculiar. They think serious things are silly and silly things are serious. They’ve forgotten how to look with the heart. Join us on a great adventure to make friends, learn things, and notice the most important things in life. Toby Thompson’s adaptation of the Antoine de Saint-Exupéry’s novel, as philosophical as its original, invites its audience to sense infinite possibility and recognise everything that is beautiful in the world. Performed by Toby Thompson, who brings this enchanting tale to life with his signature style. Production images by Camilla Adams ©</image:caption>
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      <image:title>the little prince</image:title>
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      <image:title>the little prince</image:title>
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      <image:title>the little prince</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/clarks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/angelsinamerica</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/e2d1f91e-84a3-4f6c-a96e-81c5e0ec9846/angels.jpeg</image:loc>
      <image:title>angels in america - Angels In America part one: millennium approaches Director Stuart Wood Composer &amp; Sound Designer Joseff Harris Lighting Designer Hugo Dodsworth Production Designer Mayou Trikerioti Production Manager Jo Woodcock Stage Manager Phoebe Eldevist Assistant Stage Manager Niamh Percy Costume Supervisor Rhi Good Movement Director Michelle Gaskell Intimacy Director Lex Kaby Makeup Artist Kirstie Stanway Dialect &amp; Voice Rebecca Daltry Production Electrician Thomas Pitchers Producers Stuart Wood &amp; Joe Spurgeon</image:title>
      <image:caption>One of the greatest plays of the twentieth century, Tony Kushner’s sweeping drama unfolds in Reagan’s embittered America, as its glorious protagonists wrestle with life, death, heaven and hell. Plagued by the ghosts of his ancestors and abandoned by his lover, AIDS-infected Prior Walter is visited by angels… elsewhere, closeted political fixer Roy Cohn denies he has the virus and strives to preserve his reputation. In this swirling hot pot of boisterous modern America, the nation’s reaction to the sickness – and its sufferers – is laid bare. Production shots © Chelsey Cliff</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/tachwedd</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/79c9d79b-ccbb-49c1-8b03-59446463463b/503NOGRAIN-35.png</image:loc>
      <image:title>tachwedd - Tachwedd by jon berry Director Jac Ifan Moore Composer &amp; Sound Designer Joseff Harris Lighting Designer James Harvey Set &amp; Costume Designer Rebecca Wood Production Manager Dylan Addison-Dunne Stage Manager Phoebe Buckland Wardrobe Supervisor Celia Favorite Producer Phoebe Stringer Productions Assistant Producer Dougie Wood</image:title>
      <image:caption>Four people. 2000 years. The feeling of being hunted. Set in Bethesda, North Wales, Tachwedd weaves a powerful narrative of mythology, history, and survival across four distinct eras: 1742, 1902, 1975, and the present day. Performed by a stellar Welsh cast, this play explores the weight of inheritance, the legacy of exploitation, and the haunted land we leave behind. In the same square mile, four individuals across centuries grapple with their ties to place—whether through loyalty, fear, or the painful choice to escape. From royal hunts and religious fervour to a town ravaged by industrial decline, each era reveals how land and identity are inextricably linked. The land they once called home becomes a battleground for survival, burdened by violence and the choices of their ancestors. As Bethesda reels from mass layoffs and the ground beneath them fractures, Tachwedd asks what it means to possess land—and what happens when that land no longer feels like yours. As four generations reel from decisions across time, Tachwedd becomes a story of survival, of losing and reclaiming the place that defines you. Join us for an unforgettable journey into a fractured landscape where past and present collide, and legacies endure. Production shots © WoodForge Studios</image:caption>
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      <image:title>tachwedd</image:title>
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      <image:title>tachwedd</image:title>
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      <image:title>tachwedd</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/animalfarm</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/7bb4ba02-174b-4217-a627-5b9036189ce2/BTA_ANIMAL+FARM_SELECT-4.jpg</image:loc>
      <image:title>animal farm - Animal Farm by George Orwell Director Sophie Cottle Musical Director, Composer &amp; Sound Designer Joseff Harris Lighting Designer Imogen Senter Production Designer Hugo Aguirre Production Manager Ed Borgnis Stage Manager Gemma Smith Deputy Stage Manager Chaz Webb Costume Supervisor Anna Dixson Movement Director Ania Varez Fight Director MC Combat Producers James Creed &amp; Alicia Sharp</image:title>
      <image:caption>“Soon or late the day is coming, Tyrant Man shall be o’erthrown, And the fruitful fields of England, Shall be trod by beasts alone.” As the animals overthrow their human oppressors and seize control, their dream of equality soon twists into tyranny, revealing the dark, corruptible nature of power. In a bold reimagining of Orwell’s Animal Farm, Tatty Hennessy’s adaptation brings the iconic rebellion to life with razor-sharp wit and biting satire. When the fight for freedom becomes a struggle for dominance, who really holds the reins? Production shots © Camilla Adams</image:caption>
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      <image:title>animal farm</image:title>
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      <image:title>animal farm</image:title>
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      <image:title>animal farm</image:title>
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      <image:title>animal farm</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/balmingilead</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/eb9e9bb3-aad0-4585-af69-51ec5db1bb9b/balm-in-gilead-2.jpg</image:loc>
      <image:title>balm in gilead - Balm In Gilead by Lanford Wilson Directors Stuart Wood &amp; Cameron Thorne Composer &amp; Sound Designer Joseff Harris Lighting Designer Hugo Dodsworth Production Manager Becky Vowles Stage Manager Cheryl Curley Costume Ruby Nex Costume Supervisor Rhi Good Movement Director Michelle Gaskell Intimacy Director Lex Kaby Dialect &amp; Voice Rebecca Daltry Production Electrician Thomas Pitchers Producer Stuart Wood</image:title>
      <image:caption>“Mind your own sweetheart; you live longer…”  In a shabby, barebones, all-night café-diner, the city’s flotsam and jetsam forlornly wash in. Prostitutes, bums, dealers, addicts, dreamers, runaways, the desperate… the lost.    Amongst this meshing of the city’s underbelly, a collection of colourful characters emerge, including Joe, a cynical, ill-informed, small-time dealer in more trouble than he knows; and Darlene, a wide-eyed, naive newcomer, getting more attention than she wants.  Together, they might have a shot at escaping the circular, squalid turmoil of life at the edge, but can they do so before it engulfs them?  Originally set in 1960s Manhattan, Lanford Wilson’s groundbreaking play paints a pulsating mosaic of overlapping and interrelating speeches as characters and stories buzz and blend together around a common centre. Not only does Wilson starkly illuminate a bleak and terrifying world of young exiles and outcasts in New York’s upper Broadway area, but he simultaneously challenges our expectations of the rules and form of theatre.  Production shots © Craig Fuller</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/clarkspace</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/scaffolding</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/3736e1b5-f09a-4a3f-b5c9-7fd76b7c77f1/10e3db7d-3697-4d7d-9c36-5feec98b823b.JPG</image:loc>
      <image:title>scaffolding - Scaffolding by Lucy Bell Director Nat Simone Associate Director Katie Villa Composer &amp; Sound Designer Joseff Harris Lighting Designer Rachael Duthie Production Designer &amp; Costume Ella Barraclough Stage Manager Josh Lucas Senior Producer Naomi Turner Movement Director Karla Shacklock Engagement Producer Susannah Bramwell</image:title>
      <image:caption>Sheridan is having a bad day. Her church is closing, Adult Social Care are on her case, and she can’t work out which ingredients she needs to make a bomb. With no one else to turn to, she climbs the scaffolding around a leaking steeple with a few questions for Whoever Is In Charge. Following a critically acclaimed run at Edinburgh Fringe, Scaffolding is an explosive new play about strength, love and community performed by Kerry Norton and directed by Natalie Simone. Production shots © Craig Fuller</image:caption>
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  <url>
    <loc>https://www.joseffharrissound.com/figure</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/nikemercurial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/teslaroadster</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/opporeno</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/coke</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/bluebubbleimmersive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/5e20c75c-bf84-4d3b-90fe-a6f9fcd205d5/unsplash-image-BRkikoNP0KQ.webp</image:loc>
      <image:title>blue bubble immersive - Blue Bubble Immersive brining the ocean to hospitalised children through virtual reality.</image:title>
      <image:caption>Blue Bubble Immersive aims to enhance wellbeing in hospital, make the ocean accessible to every child and inspire future ocean custodians. Enhance Wellbeing Be transported from the hospital bed to the underwater world, to ease anxiety, support mental health and provide therapeutic distraction during medical care. Oceans for All Medical, social or economic barriers mean 1 in 5 UK children never see the ocean. Blue Bubble Immersive aims to bring the ocean to them, at the time they need it most. Inspire Future Ocean Custodians An immersive ocean experience that sparks children’s natural curiosity to deepen the connection between people and nature.</image:caption>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/creditors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/48ff3bbc-ff2e-43ca-ae3b-5496bb0d61fb/Charles-Dance-Nicholas-Farrell-Geraldine-James-credit-Ellie-Kurtz-1.jpg</image:loc>
      <image:title>creditors - Creditors Written by August Strindberg, Adapted by Howard Brenton Cast Charles Dance, Nicholas Farrell &amp; Geraldine James Director Tom Littler Designer Louis Whitemore Associate Designer Jess Staton Lighting Designer David How Sound Designer Max Pappenheim Associate Sound Designer Joseff Harris Fight Director Phillip d’Orleans Assistant Director Freya Griffiths Costume Supervisor Charlotte Murray</image:title>
      <image:caption>★★★★★ - The Guardian ★★★★★ - London Theatre ★★★★ - The Stage When you’ve been deceived, even just once, you arm yourself. Adolf, an artist, is hopelessly in love with his new wife Tekla – brilliant, worldly, and enthrallingly unpredictable. But in a quiet seaside hotel, a chance encounter with a persuasive stranger begins to unravel everything he thought he knew. As suspicion takes root and loyalties crumble, revenge is best served cold. Creditors is a darkly glittering masterpiece; a devastating comic thriller about marriage and manipulation. Charles Dance, Geraldine James, and Nicholas Farrell reunite for the first time since The Jewel in the Crown. Each of them have starred in many RSC productions, with Dance also appearing in Game of Thrones, The Crown and The Jackal, James has starred in Downton Abbey and Anne with an E, and Farrell in The Iron Lady and Chariots of Fire. Production images by Ellie Kurttz</image:caption>
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      <image:title>creditors</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/averyexpensivepoison</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/4a852e12-5b40-499b-8aad-3b482a343c3c/p1.jpg</image:loc>
      <image:title>a very expensive poison - A Very Expensive Poison Written by Lucy Prebble Director Lily Dyble Designer Caitlin Abbott Lighting Designer Jodi Rabinowitz Composer &amp; Sound Designer Joseff Harris Movement Support Sachi Kimura Assistant Director Natasha Harrison</image:title>
      <image:caption>“In Russia it was chaos or some brave new world, depends who you talk to. Everything is upside down, inside out. But inside, you are just trying to be normal. Live.” Witness the story of former Russian intelligence officer Alexander Litvinenko, who is granted asylum in Britain but whose vocal opposition ultimately leads to a tragic end. Through the eyes of his grieving wife Marina, the play takes us through extraordinary true events and unravels the complexities of Russian politics and corruption. Written by Lucy Prebble, the executive producer of Succession, this hyper-theatrical thriller will leave you both shocked and moved. Production images by Steve Gregson</image:caption>
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      <image:title>a very expensive poison</image:title>
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      <image:title>a very expensive poison</image:title>
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  </url>
  <url>
    <loc>https://www.joseffharrissound.com/theforsytesaga</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-07</lastmod>
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      <image:title>the forsyte saga: parts 1 &amp; 2 - The Forsyte Saga: Parts 1 &amp; 2 Written by John Galsworthy. Adapted by Shaun McKenna &amp; Lin Coghlan Cast Emma Amos, Paul Carroll, Fiona Hampton, Nigel Hastings, Michael Lumsden, Abigail Mahony, Joseph Millson, Florence Roberts, Andy Rush, Flora Spencer-Longhurst &amp; Jamie Wilkes. Director Josh Roche Set &amp; Costume Designer Anna Yates Movement Director Patrice Bowler Lighting Designer Alex Musgrave Composer &amp; Sound Designer Max Pappenheim Associate Composer &amp; Sound Designer Joseff Harris Voice &amp; Dialect Paula Stephens Assistant Director Sara Amini Additional Casting Matthew Dewsbury CDG Fight Consultant Haruka Kuroda</image:title>
      <image:caption>★★★★★ ‘Sumptuous, panoramic, intense…a masterpiece.’ - The Times ‘The stage equivalent of a box-set binge.' - Financial Times 1886. The Empire is at its peak. Business is good for the Forsytes. Over sixty years they have invested, acquired and saved their way towards wealth. But the Forsyte lust for ownership is relentless. Soames’ possessive love for his wife Irene shatters their marriage. Her break for freedom triggers events which reverberate down the generations. John Galsworthy’s Nobel-winning saga about love, ownership and the end of Empire is retold by Shaun McKenna and Lin Coghlan across two plays, spanning over 40 years from 1886 to 1927. Josh Roche revives his acclaimed, two-part production, The Forsyte Saga Part 1: Irene and The Forsyte Saga Part 2: Fleur, with Fiona Hampton, Joseph Millson and Flora Spencer-Longhurst reprising their roles as Irene, Soames and Fleur.  Experience the thrilling saga in the Swan Theatre this winter, best enjoyed in one epic day, across two separate days, or equally as sensational as complete, stand-alone plays. Production images by Cam Harle.</image:caption>
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      <image:title>the forsyte saga: parts 1 &amp; 2</image:title>
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      <image:title>the forsyte saga: parts 1 &amp; 2</image:title>
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      <image:title>the forsyte saga: parts 1 &amp; 2</image:title>
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      <image:title>the forsyte saga: parts 1 &amp; 2</image:title>
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      <image:title>the forsyte saga: parts 1 &amp; 2</image:title>
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    <lastmod>2025-12-07</lastmod>
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      <image:title>the snow queen - The Snow Queen: A Woodland Adventure Written by Nancy Hirst Cast Eve Pereira, Freya Stephenson &amp; Henry Regan. Director Nancy Hirst Set &amp; Costume Designer Laura McEwen Musical Director, Lyricist &amp; Composer Eamonn O’Dwyer Sound Designer Joseff Harris Movement Director Maria Ghoumrassi Lighting Designer Callum Macdonald Puppet Maker Eleanor Glover Costume Maker Rosie Cannings Sound No.2 Anna Wood Wardrobe Florence Lindo</image:title>
      <image:caption>It’s Christmas Eve in Bluebell Wood, and excitement is in the air. Gerda, the littlest mouse, is hosting a cozy sleepvoer with her best friend Kai - and you’re invited. Bt something’s not quite right… A sudden chill sweeps through the trees. The mysterious Snow Queen has cast an unhappiness spell over the forest, and suddenly Kai vanishes in a flurry of snow. Gerda must set off on a daring adventure to bring him home. Can she break the spell and save Bluebell Wood in time for Christmas? She’ll need courage, kindness… and your help! Bursting with original songs you can sing along to, enchanting puppetry, lively dance, and wintery surprises, The Snow Queen is a heartwarming retelling of a classic tale filled with friendship, bravery, and the magic of helping others. Production images by Roswitha Chesher.</image:caption>
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      <image:title>work - about - “I am interested in how sound can tap into our subconscious.”</image:title>
      <image:caption>I am an award-winning composer and sound designer known for my innovative work across a wide range of mediums; including theatre, film, audio dramas, podcasts, installation and commercials. With a passion for storytelling in sound, I aim to bring a unique creative vision to every project, crafting scores and soundscapes which allow us to delve deeper. My musical versatility spans an array of styles, from intimate acoustic composition to grand orchestral scores and experimental ambient soundscapes. I also have a big network of brilliant instrumentalists whose work I can incorporate into my scores. This approach has led me to work with organisations such as The National Theatre, Bristol Old Vic, Southwark Playhouse, The Egg, Nottingham Playhouse and many more. My sound design work has been widely recognised in the industry, earning me nominations for prestigious BBC Audio Drama Awards and securing multiple wins at independent audio drama festivals for my collaborations with indie production companies. I have had the pleasure to work with brilliant production companies such as Goldhawk Productions, Reduced Listening and Allegra Productions. I have also worked on big branding campaigns for companies like Clarks, Netflix and Red Bull. I am particularly interested in how sound can tap into our subconscious and how it can transport us to vivid worlds, both real and abstract. I am interested in silence as a creative tool. I trust simplicity and subtly as I believe our world has far too much stimulus. I don’t want my compositions to be busy but I want them to be luring and hold you. I am also currently working on a project with collaborators from Bristol University and UWE where we are creating innovative technology to sonify scientific data emitted from 8 European forests. I love to embark on projects where we can think about how sound can provide new pathways for connecting with the world around us.</image:caption>
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      <image:title>work - theatre</image:title>
      <image:caption>atlantis I arts at the old fire station</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/8e4de2d6-14c6-43c5-84cc-ae382c0cd9dd/photo+6.jpg</image:loc>
      <image:title>work - theatre</image:title>
      <image:caption>miracle on 34 seymour street I trowbridge town hall</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joseffharrissound.com/work/talking-to-trees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ccba95d03c0441a5fda41f/febc2f50-8d86-40e5-9f3b-9b22815f224b/EP+cover.jpeg</image:loc>
      <image:title>work - talking to trees ep - Joseff Harris creates textural washes and landscapes with his debut EP ‘Talking to Trees’. From 'Kabu', which is rich in ambient drones and meditative tones, to 'Red Grape', which embraces ritualistic synth lines and deep bass pads, the EP takes you from start to finish in an effortless sweep. Weaving in a subtle blend of field recordings, Joseff transports you to vibrant environments and contemplative atmospheres.</image:title>
      <image:caption>Talking to Trees</image:caption>
    </image:image>
  </url>
</urlset>

